Cho-Cho-Cho-Choo Station, 2023
Performance 90mins, at Comfort Station
Performed by Kyriakos Apostolidis, Gordon Fung, J Jiang, Che Pai, Mallory Yanhan Qiu, Yezhou Zheng
Curated by Mallory Yanhan Qiu
Supported by HOMEROOM, 2023 Comfort Music + Program
Cho-Cho-Cho-Choo Station is a site-specific performance responding to the history of comfort station as the transition station between train and bus at the edge of the city of Chicago and now changed to the form of an art venue which naturally bears the culture and history throughout time.
This 90-minute piece takes the audience on a journey to different connections with ghosts in different times and spaces. J Jiang’s captivating reading text guides the audience through the experience. Mallory Yanhan Qiu, Che Pai, and Gordon Fung use movement, sound, live projection, and objects to immerse the audience in a world of imagination and wonder. The journey reaches its climax on the outdoor lawn, where Kyriakos Apostolidis and Yezhou Zheng create a mesmerizing visual experience through live video projection and physical movement.
You
Written by J Jiang
Read by Kyriakos Apostolidis, Gordon Fung, J Jiang, Che Pai, Mallory Yanhan Qiu, Yezhou Zheng
I heard that
you own a church in town now
there are many pigeons around it
it seems to be the batch we fed together in the alley
when we were small
Does that mean you are the owner of the church?
I never dared to think
who makes a church belong to
especially when it belongs to you
no wonder I have not seen you for years
I visit your mother often
like what it used to be
bring her some health supplements
she always says you go to a place far away
she always says we should show up together because we always swam together
Do you miss me.
how many people have you met?
how many confessions have you heard?
how many secrets you swallowed?
have you ever killed someone?
would you like to talk,
is your memory still alive?
is your spirit still fresh?
the blood runs in your body
is more viscous
they don't want to move
one pulse is one cremation.
I am afraid one day I will see you again
after escaping
encounter each other
Will we be disappointed at the same time?
when you prove my persistence from the past to the present
I remember one day
you answered me with a question:
Do you remember the feeling of drinking water for the first time?
I said I don't
you said:
You better remember these things that can only rely on memory.
I kept asking you:
You still haven't answered me,
what should I do if I choke on water while swimming?
since you are not here
I start going to bars in town
made up a lot of stories about the first half of my life and told them to different people
since you are not here
I have changed from a long video to an image
every glass I drink at the bar
is water.
serious flood on arid ground
after the soil is connected
can they find their way to shrink back
can they go wrong
history is not the past
history is always something happening now
the interaction between the past and the present
the past does not die
it's not even past
and the future is now:
me, now
alone floating in the center of a swimming pool
seeing no one walking above the edge
it makes me hard to recognize my coordinate in the maze
Even if it's not important
sometimes
I desperately want to be myself
Even if it's not important
I am afraid God doesn't become himself either
God is surrounded by people like us
how does he become himself
I don't think I will make up more stories
if I keep borrowing
till I borrow all time and space
then I am not lying anymore.
then there is no you anymore.
And that is not true.
I know you exist
because time doesn't exist
time only presents,
in separate things
In you and me
in what we guard
Not what we have
About Artists
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Mallory Yanhan Qiu(b. 2000, Chongqing, China) is a Chicago-based artist and curator who deeply passionate about live sound performance, sonic studies, body movement, poetry, and digital visuals. She draws inspiration from physical sensations and biological movements, aiming to flip the familiar and discover memory-laden places that coexist both near and far. Qiu holds a BFA in Sound and Performance from the School of the Art Institute of Chicago. She has performed at Compound Yellow, Epiphany Center for the Arts, Elastic Arts, Mana Contemporary, {} () {} ∆ ‡ | () {} Nonation Art Lab, Research House for Asian Art, SAIC, and Tritriangle.
WEBSITE:
IG: @qiumallory
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J Jiang (b. 2000, Shanghai, China) is a multidisciplinary artist based in Chicago and Shanghai. She is pursuing BFA at the School of the Art Institute of Chicago.
Jiang uses art to live through boringness in a singular reality. She degrades objects to their literal contents by visible, invisible, and locations, then reassembles them to construct an alternative and possible reality which is legitimate in materiality but out of the shared experience. Imagining the uncontrollable subject, boringness is replaced by an awareness of the existential crisis and the agency to misbehave.
IG: @theashesofmymind
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Che Pai (b. 1988; Taipei, Taiwan) is a multidisciplinary artist whose inspiration comes from studies in literature, slow cinema, and the physical theatre of Tai Chi. Through these practices, his awareness is fully opened; internal sensations of the body hence flow like water. The photographs, movements, and moving images serve as mediums through which the inner state resonates with happenstances.
Che holds an MA degree in Literature from National Taiwan University, and since then he embraces collaboration with artists. He had been working with award-winning director Hsin Yin Sung as a researcher, organizing shows for Ta-Chao Production as the leading performer, and programming educational events at the National Center of Photography and Images in Taiwan.
WEBSITE: https://paichejeff.wixsite.com/chepai/single-project
IG: @chechepai
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Gordon Fung (b. 1988, San Francisco) is a transdisciplinary artist who primarily works with experimental film/video, noise music, multi-/new media performances, DIY electronics, digital art, programming, and installations. His works highlight unconventional executions like noises, lo-fi presentations, and glitches. Such aesthetics confronts the viewers’ understanding, perspective, and point of view through a more philosophical, if not esoteric, investigation.
To expand the possibilities of artistic idioms, he intertwines both analog and digital technologies—also to signify the co-existence of mundane and spiritual worlds. By overloading software and hardware, he collapses the two worlds to expand the audience’s perception of reality. As a break-maker, he employs circuit-bending to regain consumers’ sense of agency through artistic means. His involvement in media archeology strives to unearth unexplored potentials of obsolete equipment and to revive them to artistic life.
Informed by his multivalent aesthetics, he forms the collective //sense at SAIC to showcase time-based artists’ works through performances, workshops, and seminars. By curating experimental performances, he fosters a collaborative common ground for sound/video/performance/electronic artists to create gesamtkunstwerk through synergy.
As a runaway composer in contemporary music, his compositions have been performed in Canada, China, Croatia, Denmark, Germany, Hong Kong, Indonesia, Italy, the Netherlands, Poland, Russia, Singapore, South Korea, Spain, Taiwan, and the USA.
WEBSITE: https://gordondfung.wordpress.com/
IG: @gordon.d.fung
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WEBSITE: https://vimeo.com/user84890550
IG: @zhengyezhou_
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Kyriakos Apostolidis (b.1991) is a performance artist from Greece. Exploring the term Morphoplastic, Apostolidis's art research deals with the concept of living sculpture in performance art. How the body is able to render symbolic forms of human existence through its movement plasticity, by activating the expressive potentials of the so-called “body intelligence”.
Apostolidis graduated from the School of Visual and Applied Arts at Aristotle University in Thessaloniki (2017), and also studied at the Facultad de Bellas Artes, Universidad de Granada (2014). Currently, he is pursuing his MFA in Performance at the School of the Art Institute of Chicago, with the support of Alexis Minotis's endowment scholarship "In Memory of Katina Paxinos", administered by the National Bank Cultural Foundation (MIET).
IG: @kyriakos_apostolidis